Название: The Cambridge History of Medieval Music. 2 vols Автор: Mark Everist, Thomas Forrest Kelly (eds.) Издательство: Cambridge University Press Год: 2017 Формат: pdf Страниц: 1295 Размер: 69.6 Мб Язык: English
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouv?res and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Contents pp v-viii Figures pp ix-xiii Music Examples pp xiv-xxi Tables pp xxii-xxii Notes on Contributors pp xxiii-xxxi Acknowledgements pp xxxii-xxxii Manuscript Sigla pp xxxiii-xliv Abbreviations pp xlv-xlvi Volume I pp 1-626 Introduction and Context pp 1-14 1 - Musical Legacies from the Ancient World pp 15-68 By Peter Jeffery 2 - Origins and Transmission of Franco-Roman Chant pp 69-91 By Andreas Pfisterer 3 - Sources of Romano-Frankish Liturgy and Music pp 92-122 By Joseph Dyer 4 - Regional Liturgies: Spanish, Beneventan, Gallican, Milanese pp 123-146 By Terence Bailey 5 - Nova Cantica pp 147-175 By Jeremy Llewellyn 6 - Music and Prosopography pp 176-209 By Margot Fassler 7 - The Silence of Medieval Singers pp 210-235 By Katarina Livljanic, Benjamin Bagby 8 - Notation I pp 236-262 By Thomas Forrest Kelly 9 - Tropes pp 263-299 By Andreas Haug 10 - Sequence pp 300-356 By Lori Kruckenberg 11 - Music Theory pp 357-381 By Thomas Christensen 12 - Vernacular Song I: Lyric pp 382-427 By Elizabeth Aubrey 13 - Vernacular Song II: Romance pp 428-450 By Anne Ibos-Aug? 14 - Instruments and Their Music pp 451-474 By Nigel Wilkins 15 - Teaching and Learning Music pp 475-499 By Anna Maria Busse Berger 16 - Music in Drama pp 500-526 By David Klausner 17 - The Sources pp 527-560 By Stanley Boorman 18 - The Revival of Medieval Music pp 561-581 By John Haines 19 - Medieval Performance Practice pp 582-608 By Timothy J. McGee 20 - Issues in the Modern Performance of Medieval Music pp 609-626 By John Potter Volume II pp 627-1200 21 - Institutions and Foundations pp 627-673 By Alejandro Enrique Planchart 22 - Notation II pp 674-717 By Lawrence Earp 23 - Rhythm and Meter pp 718-746 By John Caldwell 24 - Tonal Organization in Polyphony, 1150–1400 pp 747-773 By Peter M. Lefferts 25 - Liturgy and Plainchant, 1150–1570 pp 774-800 By Roman Hankeln 26 - Early Polyphony pp 801-833 By James Grier 27 - Notre Dame pp 834-880 By Edward H. Roesner 28 - Liturgical Polyphony after 1300 pp 881-906 By Karl K?gle 29 - The Emergence of Polyphonic Song pp 907-936 By Mark Everist 30 - Vernacular Song III: Polyphony pp 937-973 By Elizabeth Eva Leach 31 - The Thirteenth-Century Motet pp 974-999 By Rebecca A. Baltzer 32 - The Fourteenth-Century Motet pp 1000-1019 By Alice Clark 33 - Latin Song I: Songs and Songbooks from the Ninth to the Thirteenth Century pp 1020-1047 By Helen Deeming 34 - Latin Song II: The Music and Texts of the Conductus pp 1048-1078 By Thomas Payne 35 - Trecento I: Secular Music pp 1079-1099 By Michael Scott Cuthbert 36 - Trecento II: Sacred Music and Motets in Italy and the East from 1300 until the End of the Schism pp 1100-1124 By Michael Scott Cuthbert 37 - Ars subtilior pp 1125-1146 By Anne Stone 38 - Citational Practice in the Later Middle Ages pp 1147-1176 By Yolanda Plumley 39 - “Medieval Music” or “Early European Music”? pp 1177-1200 By Reinhard Strohm Index pp 1201-1248
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